Once again, Rainbow Rowell has proven
her strange ability to get right at my heart and soul. Landline is definitely
an adult novel, but it completely destroyed my fears of being unable to relate
to its themes and ideas. Its themes include marriage, regret, first love versus
lasting love, and figuring out whether the life you’ve been living for so many
years is actually what’s right for you. Rowell has packed this book with so
much character, personality, and emotion that it’s nearly overflowing. It’s
nearly impossible notto find something to relate to in this book. The
characters feel like close friends of yours by the end; you might even fancy
calling them up to invite them over for dinner and a game night, if you could
just remember their phone number.
The book follows Georgie McCool, a TV
comedy writer in Los Angeles, and her husband Neal, the quiet stay-at-home dad
and artist. When Georgie tells Neal she can’t go to Omaha with him to spend Christmas
with his family, Neal simply packs up the kids and leaves for Omaha without
Georgie, leaving her lonely and worried that her marriage is finally over.
While staying with her mother over the holidays, Georgie discovers that an old
phone in her bedroom has the power to call Neal in the past, back before they
ever got married. Georgie has to figure out if she’s supposed to save her
marriage or if maybe they would both be happier in the long run if they never
got married in the first place.
Georgie is hilarious, sweet, and so busy
and caught up in life that she doesn’t always stop to think of everyone around
her. She loves her husband, her kids, and her job, but it’s hard for her when
any of these things clash together. Neal is quieter and more reserved. Emotion
doesn’t radiate off of him constantly like it radiates off of Georgie, and even
getting a true smile from him is an achievement. Despite (or perhaps because
of) this, Neal is deep and thoughtful. He’s an artist, and though he may not always
show his emotion plainly (be it anger or happiness or anything else), there is
no doubt that he contains multitudes.
What surprised me most about this novel
was that I related to it separately from how I normally relate to YA novels.
This is one of the first books I’ve read that related to my life as an adult
specifically. I connected very strongly with Georgie, especially with her
concerns about being a good wife while still taking care of her own hopes and
dreams in life. Though not exactly carefree, she’s still able to really
experience and enjoy life, an enviable feat. She’s thoughtful almost to a
fault, overthinking just about everything she does, trying to figure out the
right thing to do. It’s difficult for her to deny her own happiness, even if
the things that make her happy are making her husband unhappy. She cares deeply
about her family and her job, and she tries her hardest to be who everyone
expects her to be and make everyone else happy. She appealed to me quite
deeply, getting at the heart of some of my own fears about adulthood and being
a good person. The book is witty and filled with the kind of romantic moments
you can’t help but smile at while reading. It manages to be both hilarious and
sweet, sometimes in the same moment. It makes you reconsider the importance of
love versus happiness in a marriage and in life; if you love someone, what
happens if you can’t make them happy? Is it best to let them go or keep trying?
Is it better to be unhappy with the one you love or happy with someone you don’t
love? Rowell examines these questions thoroughly and beautifully.
Overall, Landline is a Rainbow Rowell
book through and through: it makes you feel something, and you aren’t quite the
same person by the time you turn the last page.
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